As we gear up for this year’s Eel Festival at Elizabeth Farm on Sunday 3 March, we are exploring the various ways that eels were cooked and eaten in the past. Continue reading
Posts in the category: Places
The art of tea, and tea as art
The restorative power and ritualised nature of tea, whether elegantly poured from a pot into a fine china cup, or a bag languishing in a mug on a kitchen bench or work-desk gives inspiration to many of the artists who have entered works in the Meroogal Women’s Art Prize. Continue reading
When Dickens comes to dinner
Late last year, Vaucluse House Museum and the Vaucluse House Tearooms played host to over 100 Charles Dickens ‘fellows’ – delegates from across the world who gathered in Sydney for the 112th International Dickens Fellowship Conference. The conference theme was ‘Boz in Oz: Charles Dickens’ colonial connections’.
Continue reading
Dishing up our culinary heritage
This past month has provided two wonderful opportunities to break bread with local and international visitors to Sydney and stimulate their appetites for history in themed dining events at Vaucluse House and Elizabeth Farm… Continue reading
Zesty flavours
Rose Seidler’s recipes reflect a penchant for citrus flavours – from marmalade to cakes and desserts. There are three different orange cake recipes – one of them appearing twice: Continue reading
A taste of Rose Seidler’s recipes
I’ve spent many a happy hour in the kitchen lately, cooking from recipes that belonged to Rose Seidler. They have been gifted to the Rose Seidler House collection thanks to the generosity of Penelope Seidler, AM, Continue reading
Three fruit marmalade
When life gives you lemons – and grapefruit and oranges – it’s time to make marmalade! For this batch I’ve used a recipe from the small collection of manuscript recipes that belonged to Rose Seidler, dating to the 1950s or 60s. Citrus trees grow well in Sydney, and many a householder would make marmalade to preserve their own home grown bounty, for their own use or for gifts.
Three Fruit Marmalade
Ingredients: 2 grapefruit, 2 lemons, 3 oranges,
6 pints of water, 5 lb sugarMethods: Wash fruits, removed rinds with a
sharp knife, cut into thin threads. Remove
white pith from fruit, reserve. cut up fruit,
place fruit, juice into a large saucepan
with the water. Place pips, pith and any
membrane into a piece of muslin, tie up,
place in pan along with fruit and water.
Cook till rinds are tender & contents of
saucepan reduced by half. Remove mus-
lin bag, squeeze any liquid back into pan.
Add sugar, stir till dissolved. Boil repidly
10-15 mins or until jells.
Allow to cool till a skin forms, stir
to distribute peel. Bottle, seal.
C. Weissberger
23 Powell Street
Killara
5 x 2553
Shared tastes
Recipes written in others’ hands are a way that friends, acquaintances and often, occasions and places remain (I ‘m tempted to say they are preserved) in people’s minds. They are a form of sharing one’s tastes, and skills. This particular recipe is signed C. Weissberger, then of Killara.
It makes a delicious preserve – pleasantly tart with nicely balanced sweetness, and will be served at our upcoming ‘Eat your history at Rose Seidler House’ program on October 20, 2018 (now sold out!).
Three fruit marmalade
Ingredients
- 2 Medium grapefruit
- 2 Medium lemons
- 3 Medium oranges
- 3l water
- 2.25kg sugar
Note
Lemons and grapefruit have a naturally high pectin content, so Three fruit marmalade sets quite easily, depending on the ratio of water to fruit and sugar. To ensure the rind is evenly distributed through the marmalade, soak the prepared fruit overnight, before cooking, and again after cooking it, before adding sugar and boiling it into marmalade. If you don't have time for both soaking stages, one will still make a difference.
Makes 2 - 2.25 litres
Directions
Wash the fruit - if it is store-bought or urban grown, wash with warm water and lightly scrub, to remove any wax or pollution buildup. Peel the rinds using a sharp paring knife or vegetable peeler. Remove any excess pith from the underside of the peel. Slice the peel into thin strips and place in a large preserving pan or stockpot (minimum 8 litre capacity) Slice the pith from the peeled fruit, reserving the pith in a bowl. Halve and quarter the fruit, remove cores and seeds, reserving them with the pith. Slice the flesh thinly, discarding any tough membrane, and add to the peel in the pot, along with any juices. Wrap the pith, cores and seeds in clean muslin or a new length of kitchen cloth, tying all edges up securely so no seeds can escape during cooking. Add the bundle to the peel and fruit in the pot, add the water and leave to soak overnight if possible (this helps prevent the peel rising once bottled). | |
Boil the mixture until the rinds are tender and the water has reduced by about half (about an hour, but this may depend on the size and shape of your pot). Remove the pot from the heat and allow the contents to soak until the following day (again, this helps prevent the peel rising once bottled). Next day, remove the muslin bag and squeeze any juices into the fruit mixture, being careful not to split the cloth, or allow contents to escape the tie. Discard the bag and contents, or to save waste, salvage the cloth for other non-culinary purposes. | |
Put two saucers into the freezer, to have ready for the 'gel test' later on. Wash jars and lids in hot sudsy water, rinse, and drain. Place jars on a tray in the oven at 120°C to sterilise, keeping the lids aside for scalding when ready to bottle the marmalade. (https://blogs.sydneylivingmuseums.com.au/cook/sterilising-process/). | |
Warm the fruit mixture in the pot on a low heat, and add the sugar, stirring until it dissolves. Increase the heat and bring to a rapid boil, stirring occasionally. Boil until the mixture reduces and reaches setting point (see next step) - about 30-40 minutes, depending on the size and shape of your pot. Beware: the heat may cause the mixture to froth high up the pot so be careful that it does not boil over, stirring should help it come back down. | |
'Gel-test' the mixture once it feels less watery and you start to notice 'ribbons' on the side of the pot as you stir. to do this drop two teaspoons of mixture onto one of the chilled saucers and place it in the refrigerator for two or three minutes. Run your finger through the marmalade to divide it in two - if a skin has formed on the surface, or the line in the marmalade holds and the mixture does not run back, gelling point has been reached. Once this has been achieved, take the pot off the heat, and skim and discard any scum from the surface with a metal spoon. | |
Remove the jars from the oven and allow to cool for a few minutes to avoid heat shock when they are being filled with the marmalade. Scald the lids in boiling water and drain in a clean colander. Fill the jars to their 'neck line', using a jam funnel if you have one, being aware that the mixture and jars are very hot. (I use a small jug to pour the mixture into the jar. | |
Once filled, clean the edges of the jars with clean kitchen paper dipped into hot water. Dry the inside of the lids with clean kitchen paper and seal the jars immediately. Wearing heat-protective gloves, tighten the lids to ensure they are fully sealed, then invert the jars for two minutes so that the hot mixture heats the lid; this helps create a vacuum seal when they cool. Allow the filled jars to cool in an upright position, then label and date. The marmalade will keep for up to two years in a cool, dry cupboard; refrigerate after opening. |
What a difference a day makes
Looking for a quintessential 19th-century meaty stew for a recent Colonial gastronomy program, ‘Butcher, baker, candlestick maker’ held at Susannah Place Museum and The Big Dig site in Sydney’s Rocks, we decided on the traditional ‘Haricot Mutton’. Continue reading
Mourning food
Cake seems synonymous with parties and celebration – for birthdays, weddings, in fact, quite a pleasure and a treat. We have fairy cakes, angel cakes, red velvet… but what about funeral cakes? Continue reading
A perfectly bucolic idyll
This winter, as the sun sets over the cows and farm paddocks at Rouse Hill, it’s hard not to wax lyrical over the picturesque, bucolic scene. Hang on, over the… what now? Continue reading